Adobe Premiere Pro CS3 Uživatelský manuál

USER GUIDEADOBE® PREMIERE® PRO CS3April 1, 2008

ADOBE PREMIERE PRO CS3User Guide4Adobe HelpA. Back/Forward buttons (previously visited links) B. Expandable subtopics C. Icons indicating shared top

ADOBE PREMIERE PRO CS3User Guide94• Drag multiple clips or an entire bin from the Project panel into the Source Monitor, or select multiple clips in t

ADOBE PREMIERE PRO CS3User Guide95Current time displays Show the timecode for the current frame. The current time displays are located at the bottom

ADOBE PREMIERE PRO CS3User Guide96Choose a display modeYou can display normal video, the video’s alpha channel, or one of several measurement tools.❖

ADOBE PREMIERE PRO CS3User Guide97Most playback controls have keyboard equivalents. When you want to use keyboard shortcuts to control playback, make

ADOBE PREMIERE PRO CS3User Guide98Move to a different frame in the Source and Program Monitors❖ Do any of the following:• To advance one frame, click

ADOBE PREMIERE PRO CS3User Guide99Reference MonitorUse a Reference MonitorA Reference Monitor acts like a secondary Program Monitor. You can use a Ref

100Chapter 6: Editing a sequenceOnce you have imported and captured assets for your project, you can begin the editing phase.Editing basicsEditing wor

ADOBE PREMIERE PRO CS3User Guide101As you assemble and trim clips into a sequence, you can use the preset editing workspace to arrange Adobe Premiere

ADOBE PREMIERE PRO CS3User Guide102Each sequence in a project can appear as a tab in a single Timeline panel, or in a separate Timeline panel. A seque

ADOBE PREMIERE PRO CS3User Guide103Work area bar Specifies the area of the sequence that you want to preview or export. The work area bar is located

ADOBE PREMIERE PRO CS3User Guide5Keyboard shortcuts for Help navigation (Windows)• To move between panes, press Ctrl+Tab (forward) and Shift+Ctrl+Tab

ADOBE PREMIERE PRO CS3User Guide104• To zoom in, drag the ends of the viewing area bar closer together. To zoom out, drag them farther apart.Scroll th

ADOBE PREMIERE PRO CS3User Guide105Lock and unlock tracksLocking an entire track is useful for preventing changes to any clips on that track while you

ADOBE PREMIERE PRO CS3User Guide106Set the display style of the video track1 Expand the track by clicking the triangle next to the track name.2 Clic

ADOBE PREMIERE PRO CS3User Guide107To fine-tune trim edits in a sequence, you can open the Trim Monitor. The Trim Monitor’s layout is similar to the S

ADOBE PREMIERE PRO CS3User Guide108Viewing In and Out frames simultaneously in the Source MonitorCue to an In or Out pointYou use the Source Monitor t

ADOBE PREMIERE PRO CS3User Guide109Trimming a clipTrimming in this way affects only a single clip edge and doesn’t affect adjacent clips. To trim mult

ADOBE PREMIERE PRO CS3User Guide110About rolling and ripple editsWhen you want to adjust the cut, or edit point, between two clips, use variations of

ADOBE PREMIERE PRO CS3User Guide111In this ripple edit, the edit point is dragged earlier in time—shortening the preceding clip and the total program

ADOBE PREMIERE PRO CS3User Guide112• Select the boxed number above the center jog disk, type a negative number to trim both clips left or type a posit

ADOBE PREMIERE PRO CS3User Guide113• Click the Out Shift display (for the left clip’s Out point) or the In Shift display (for the right clip’s In poin

ADOBE PREMIERE PRO CS3User Guide6When you start the Adobe Video Workshop, you choose the products you want to learn and the subjects you want to view.

ADOBE PREMIERE PRO CS3User Guide114Perform a slide editA slide edit shifts a clip in time while trimming adjacent clips to compensate for the move. As

ADOBE PREMIERE PRO CS3User Guide115Set trim preferencesYou can set the number of frames that will be trimmed when you use the Multiple-Frame Trim-in b

ADOBE PREMIERE PRO CS3User Guide116Adding a clip by inserting it between clipsAn insert edit shifts clips in all unlocked tracks. To prevent an insert

ADOBE PREMIERE PRO CS3User Guide117Targeting a track by clicking the trackIf you overlay a clip, only the targeted track is affected, whether you drag

ADOBE PREMIERE PRO CS3User Guide1184 Do one of the following:• To perform an overlay edit, drag the clip from the Source Monitor to an appropriate tr

ADOBE PREMIERE PRO CS3User Guide119Method Specifies the type of edit to perform. Choose Insert Edit to add clips to the sequence starting at the sequ

ADOBE PREMIERE PRO CS3User Guide120See also “Work with tracks” on page 104Replace one clip with anotherYou can replace one clip in the Timeline with

ADOBE PREMIERE PRO CS3User Guide1214 Do one of the following:• To perform an insert edit, click the Insert button . • To perform an insert edit and s

ADOBE PREMIERE PRO CS3User Guide122Note: Sequence In and Out points are automatically removed when you perform a lift or extract edit from the Program

ADOBE PREMIERE PRO CS3User Guide123• To undo changes made before the last time you saved a project, try opening a previous version of your project in

ADOBE PREMIERE PRO CS3User Guide7• Exporting video and FLV filesVideos also show you how to use Adobe Premiere Pro CS3 with other Adobe products:• Us

ADOBE PREMIERE PRO CS3User Guide124Remove alerts with the Events panelAdobe Premiere Pro Events lists warnings, error messages, and other information

ADOBE PREMIERE PRO CS3User Guide125Interlaced video, noninterlaced video, and progressive scanningInterlacing is a technique developed for transmittin

ADOBE PREMIERE PRO CS3User Guide126Another unwanted interlacing effect can arise from a mismatch between a clip’s field dominance, and that of the pro

ADOBE PREMIERE PRO CS3User Guide1272 In either the Project panel or Timeline panel, select the clips for which you want to know the total duration. T

ADOBE PREMIERE PRO CS3User Guide128You can also set a clip’s speed to fill a duration by performing a four-point edit. In the Timeline panel, clips wi

ADOBE PREMIERE PRO CS3User Guide129Blend frames for smooth motionMotion in a clip may appear jerky when you change the speed of a clip, or output to a

ADOBE PREMIERE PRO CS3User Guide130Time-remapping distorts time for range of frames within clip.Note: It is best to apply time remapping controls to a

ADOBE PREMIERE PRO CS3User Guide1313 Do one of the following:• Drag the rubberband on either side of the speed keyframe up or down to increase or dec

ADOBE PREMIERE PRO CS3User Guide132Move a split speed keyframe❖ In the white control track area of the clip, drag the grey-shaded area of the speed tr

ADOBE PREMIERE PRO CS3User Guide133Blue curve control in gray area between the halves of a speed keyframe5 (Optional) To change the acceleration or d

ADOBE PREMIERE PRO CS3User Guide8• Using Adobe Bridge in a web design workflowTo access Adobe Creative Suite 3 video tutorials, visit Adobe Video Wor

ADOBE PREMIERE PRO CS3User Guide1343 Ctrl+Alt-drag (Windows) or Option+Command-drag (Mac OS) the speed keyframe to the place at which you want the fr

ADOBE PREMIERE PRO CS3User Guide1352 To freeze a frame other than the In or Out point, open the clip in the Source Monitor, and set Marker 0 (zero) t

ADOBE PREMIERE PRO CS3User Guide1363 Click the desired location.The desired sequence will move forward and the current-time indicator will jump to th

ADOBE PREMIERE PRO CS3User Guide137Enable or disable a clipYou can disable a clip while you try out a different editing idea, or to shorten processing

ADOBE PREMIERE PRO CS3User Guide138Snap a clip1 Make sure that the Snap button is selected in the Timeline panel.2 Drag the edge of a clip close t

ADOBE PREMIERE PRO CS3User Guide139Note: To affect only one track of a linked clip, press Alt (Windows) or Option (Mac OS) when you first click the cl

ADOBE PREMIERE PRO CS3User Guide140Lift framesLifting removes frames from a sequence and leaves a gap of the same duration as the frames you remove. ❖

ADOBE PREMIERE PRO CS3User Guide1414 Do one of the following:• To overlay the pasted clips, choose Edit > Paste.• To insert the pasted clips, choo

ADOBE PREMIERE PRO CS3User Guide142Set the area to be previewed❖ Do any of the following:• Drag the work area bar over the section you want to preview

ADOBE PREMIERE PRO CS3User Guide143The rendering time depends on your system’s resources and the complexity of the segment.Play a sequence from start

ADOBE PREMIERE PRO CS3User Guide9DownloadsVisit www.adobe.com/go/downloads to find free updates, tryouts, and other useful software. In addition, the

ADOBE PREMIERE PRO CS3User Guide144Preview on a television monitor via DV camcorder or deckIf you’re editing a DV project, you can preview the sequenc

ADOBE PREMIERE PRO CS3User Guide145Work with preview filesWhen you render previews, Adobe Premiere Pro creates files on your hard disk. These preview

146Chapter 7: Editing: Beyond the basicsAdobe Premiere Pro contains many tools for improving clips and refining edits. You can use them to add polish

ADOBE PREMIERE PRO CS3User Guide147Add an unnumbered clip marker1 Do one of the following:• To add a marker to a source clip, double-click the clip i

ADOBE PREMIERE PRO CS3User Guide148Move a marker❖ Do one of the following:• To move a clip marker in a clip that’s in a sequence, open the clip in the

ADOBE PREMIERE PRO CS3User Guide149Frame Target Enter the target frame for a web page if using an HTML frameset.3 To enter comments or specify optio

ADOBE PREMIERE PRO CS3User Guide150Editing audio in the Timeline panelSet sample-based audio In and Out pointsIn and Out points are set at timebase di

ADOBE PREMIERE PRO CS3User Guide1513 View the audio In point or Out point of the clip you want to edit in detail by dragging the zoom slider to the r

ADOBE PREMIERE PRO CS3User Guide152Automatically synchronize clips that were moved out of sync1 Right-click/Control-click the number that appears at

ADOBE PREMIERE PRO CS3User Guide153Creating special clipsCreate a counting leader (Windows only)If you plan to create film output from a sequence, you

ADOBE PREMIERE PRO CS3User Guide10represents a best-use example of product features. Templates can be a valuable resource when you need to jump-start

ADOBE PREMIERE PRO CS3User Guide154Create a transparent video clipTransparent Video is a synthetic clip just like Black Video, Bars and Tone, and Colo

ADOBE PREMIERE PRO CS3User Guide155Video Type the number of video tracks you want the sequence to contain, or click the up and down arrows to change

ADOBE PREMIERE PRO CS3User Guide156Nest a sequence in another sequence❖ Drag a sequence from the Project panel or Source Monitor into the appropriate

ADOBE PREMIERE PRO CS3User Guide157Create a subclipYou can create a subclip from source clips or other subclips that are made up of a single media fil

ADOBE PREMIERE PRO CS3User Guide1581. Add clips from multiple cameras to a sequence.Stack the clips from each camera on separate tracks of a sequenc

ADOBE PREMIERE PRO CS3User Guide159Multi-Camera MonitorA. Camera 1 B. Camera 2 C. Recorded sequence preview D. Camera 3 E. Camera 4 F. Record but

ADOBE PREMIERE PRO CS3User Guide160Note: Adobe Premiere Pro uses an overlay edit when synchronizing clips. Take care not to overwrite adjacent clips i

ADOBE PREMIERE PRO CS3User Guide1615 To switch to another camera and record its content, click its small preview in the Multi-Camera Monitor.You can

ADOBE PREMIERE PRO CS3User Guide162Insert or overlay clips in a multi-camera sequenceYou can make edits to a multi-camera sequence from the original f

ADOBE PREMIERE PRO CS3User Guide163Comparative advantages for specific tasksThe strengths of Adobe Premiere Pro lie in its numerous video editing feat

ADOBE PREMIERE PRO CS3User Guide11At Adobe Labs, you have access to resources such as these:• Prerelease software and technologies• Code samples and b

ADOBE PREMIERE PRO CS3User Guide164Create and edit Photoshop filesYou can create a Photoshop file that will automatically inherit the pixel and frame

ADOBE PREMIERE PRO CS3User Guide165You can also copy nested compositions, Photoshop layers, solid layers, and audio layers. Adobe Premiere Pro convert

ADOBE PREMIERE PRO CS3User Guide166You can copy color mattes, stills, nested sequences, and offline files as well. After Effects converts color matte

ADOBE PREMIERE PRO CS3User Guide167Working with Adobe Premiere Pro and Adobe FlashAdobe Premiere Pro is a professional tool for editing video. If you

ADOBE PREMIERE PRO CS3User Guide168Adobe Dynamic Link, a feature of Adobe Creative Suite Production Premium, offers an alternative to this workflow: t

ADOBE PREMIERE PRO CS3User Guide169Color and Dynamic Link (Production Premium only)Adobe After Effects works in the RGB (red, green, blue) color space

ADOBE PREMIERE PRO CS3User Guide170Dynamically linked After Effects compositionsDelete a dynamically linked composition or clip (Production Premium on

ADOBE PREMIERE PRO CS3User Guide171Take a dynamically linked composition offline (Production Premium only)You can take a dynamically linked compositio

172Chapter 8: TransitionsThe transitions included with Adobe Premiere Pro provide a variety of ways to replace one clip with another in video or audio

ADOBE PREMIERE PRO CS3User Guide173You can add several clips to a sequence at once, and automatically add a default transition between them. (See “Add

ADOBE PREMIERE PRO CS3User Guide12Smart File Search Find files faster with search tools that instantly update their results lists as you type. Sort a

ADOBE PREMIERE PRO CS3User Guide174For best results with transitions, shoot and capture source media with sufficient handles beyond the In and Out poi

ADOBE PREMIERE PRO CS3User Guide175Adding transitionsAdding a transitionTo place a transition between two clips (centered on the cut line), the clips

ADOBE PREMIERE PRO CS3User Guide176If you use another transition more frequently, you can set it as the default. When you change the default transitio

ADOBE PREMIERE PRO CS3User Guide177Fine-tuning transitionsDisplay transitions in the Effect Controls panelYou can use the Effect Controls panel to cha

ADOBE PREMIERE PRO CS3User Guide178Align a transition in the Timeline panel1 In the Timeline panel, zoom in so that you can clearly see the transitio

ADOBE PREMIERE PRO CS3User Guide1792 If the Effect Controls time ruler is not visible, click the Show/Hide Timeline View button in the Effect Contr

ADOBE PREMIERE PRO CS3User Guide180Default center (left) and repositioned center (right)Change transition settings1 In the Timeline panel, click a tr

ADOBE PREMIERE PRO CS3User Guide181Note: To change the gradient image or the softness, click Custom in the Effect Controls panel.To preview the transi

182Chapter 9: AudioIn Adobe Premiere Pro, you can edit audio, add effects to it, and mix as many tracks of audio in a sequence as your computer system

ADOBE PREMIERE PRO CS3User Guide183A sequence can contain two types of audio tracks. Regular audio tracks contain actual audio. Submix tracks output t

13Chapter 2: WorkspaceThe consistency among all Adobe video and audio workspaces supports cross-application familiarity. This design allows users to m

ADOBE PREMIERE PRO CS3User Guide184Mixing audio tracks and clipsMixing is blending and adjusting the sounds that comprise audio in a sequence. A seque

ADOBE PREMIERE PRO CS3User Guide185Audio Mixer overviewAudio MixerA. Effect and Send area B. Controls area C. Playback controls In the Audio Mixer,

ADOBE PREMIERE PRO CS3User Guide186Audio mixer playback controlsA. Go To In Point B. Go To Out Point C. Play/Stop Toggle D. Play In To Out E. Loop

ADOBE PREMIERE PRO CS3User Guide187Monitor specific tracks in the Audio Mixer❖ Click the Solo Track button for the corresponding tracks. Only the trac

ADOBE PREMIERE PRO CS3User Guide188Making quick audio adjustmentsAlthough Adobe Premiere Pro includes a full-featured audio mixer, there are times whe

ADOBE PREMIERE PRO CS3User Guide189channels. However, if the clip doesn’t contain an even number of channels, a channel with silence is created and pa

ADOBE PREMIERE PRO CS3User Guide190Map audio channels in a clip1 Select one or more clips containing audio in the Project panel and choose Clip >

ADOBE PREMIERE PRO CS3User Guide191Map your computer’s audio output to its speakersYou can determine the target speaker in your computer’s sound syste

ADOBE PREMIERE PRO CS3User Guide192See also “Linking multiple audio clips” on page 192Break all stereo tracks into mono tracksAdobe Premiere Pro can

ADOBE PREMIERE PRO CS3User Guide193Choosing track of multi-clip link in Source MonitorThe Effect Controls panel displays all the video and audio track

Copyright© 2007 Adobe Systems Incorporated. All rights reserved.Adobe® Premiere® Pro CS3 User Guide for Windows® and Mac OSIf this guide is distribute

ADOBE PREMIERE PRO CS3User Guide14Choose a workspaceEach Adobe video and audio application includes several predefined workspaces that optimize the la

ADOBE PREMIERE PRO CS3User Guide1943 (Optional) Specify the In and Out points for a track.Specifying the In and Out points for a specific track appli

ADOBE PREMIERE PRO CS3User Guide195Set the location for captured audio1 Choose Edit > Preferences > Scratch Disks (Windows) or Premiere Pro &g

ADOBE PREMIERE PRO CS3User Guide196Record an analog sourceYou can record audio from an analog source device, such as a cassette deck or turntable.1 C

ADOBE PREMIERE PRO CS3User Guide197Record audioAfter you set up the audio hardware on your computer and specify the input audio device in Premiere Pro

ADOBE PREMIERE PRO CS3User Guide198Adjusting volume levelsAdjusting gain and volumeGain generally refers to the input level or volume in clips. Volume

ADOBE PREMIERE PRO CS3User Guide1992 In the audio track header, click the Show Keyframes button , and choose one of the following from the pop-up me

ADOBE PREMIERE PRO CS3User Guide2004 (Optional) To change the Volume effect over time, move the current-time indicator and adjust the volume level gr

ADOBE PREMIERE PRO CS3User Guide2016 Move the volume slider for the Master track up or down to increase or decrease the volume of the whole mix as yo

ADOBE PREMIERE PRO CS3User Guide2022 Make sure that the two audio clips are adjacent, and that both clips are trimmed.3 Do one of the following:• To

ADOBE PREMIERE PRO CS3User Guide203Applying audio effects in the Audio MixerIn the Audio Mixer, track effect options are controlled after an effect is

ADOBE PREMIERE PRO CS3User Guide15Dragging panel (A) onto grouping zone (B) to group it with existing panels (C)Dock or group panels1 If the panel yo

ADOBE PREMIERE PRO CS3User Guide204Consider planning the order of track effects before applying them because you can’t drag an effect to a different p

ADOBE PREMIERE PRO CS3User Guide205If you previously installed a VST-compatible application other than Adobe Premiere Pro, Adobe Premiere Pro finds VS

ADOBE PREMIERE PRO CS3User Guide206Recording audio mixesAbout recording audio changesUsing the Audio Mixer, you can apply changes to audio tracks as a

ADOBE PREMIERE PRO CS3User Guide207This step will show the keyframes you recorded with the Audio Mixer along the yellow change line. You can edit thes

ADOBE PREMIERE PRO CS3User Guide208Specify the automated keyframe creationAutomating audio changes in the Audio Mixer can create more keyframes than n

ADOBE PREMIERE PRO CS3User Guide209• When an audio track and the output track are mono or when both tracks are 5.1 surround, panning and balancing are

ADOBE PREMIERE PRO CS3User Guide210For best results monitoring pan or balance settings, make sure that each of the computer or audio card’s outputs is

ADOBE PREMIERE PRO CS3User Guide211Like audio tracks that contain clips, submixes can be mono, stereo, or 5.1 surround. Submixes appear as fully funct

ADOBE PREMIERE PRO CS3User Guide212A send can be applied pre-fader or post-fader, and the outcome is that the track audio is sent either before or aft

ADOBE PREMIERE PRO CS3User Guide213Choosing from Selected Parameter menu 4 Change the value of the property using the control knob above the Send Ass

ADOBE PREMIERE PRO CS3User Guide16The application docks or groups the panel, according to the type of drop zone.Undock a panel in a floating windowWhe

ADOBE PREMIERE PRO CS3User Guide214Note: To preserve the integrity of left/right channel assignments, you may want to avoid using downmix options that

ADOBE PREMIERE PRO CS3User Guide2152 Select Edit > Edit In Adobe Soundbooth, and choose one of the following:Edit Source file lets Soundbooth re

216Chapter 10: TitlesThe Titler is a versatile tool, enabling you to create, not just titles and credits, but animated composites as well.Creating tit

ADOBE PREMIERE PRO CS3User Guide217• Choose Title > New Title and then choose a title type.• In the Project panel, press the New Item button and

ADOBE PREMIERE PRO CS3User Guide218Note: In addition to importing Adobe Premiere Pro titles and Adobe Premiere Elements titles with the .prtl extensio

ADOBE PREMIERE PRO CS3User Guide219You can easily change any element in the template by selecting the element and either deleting it or overwriting it

ADOBE PREMIERE PRO CS3User Guide2203 Enter a name for the title template, and then click OK.Adding text to titlesEnter text in titlesWhen adding text

ADOBE PREMIERE PRO CS3User Guide2214 When you finish typing, choose the Selection tool and click outside the text box.Note: Resizing the text box cre

ADOBE PREMIERE PRO CS3User Guide222Change the font size❖ Select the text and do one of the following:• Choose Title > Size and choose a font size.

ADOBE PREMIERE PRO CS3User Guide223Slant Specifies the slant of an object, in degrees.Small Caps When selected, specifies that all selected objects

ADOBE PREMIERE PRO CS3User Guide17Dragging divider between panel groups to resize them horizontallyA. Original group with resize icon B. Resized grou

ADOBE PREMIERE PRO CS3User Guide224See also “Create titles that roll or crawl” on page 238“Align and distribute objects in titles” on page 229Set and

ADOBE PREMIERE PRO CS3User Guide225• Alt-drag (Windows) or Option-drag (Mac OS) to draw from the center of the shape. • Shift+Alt-drag (Windows) or Sh

ADOBE PREMIERE PRO CS3User Guide226Draw curves with the Pen toolDraw curved segments by dragging the anchor points with the Pen tool. When you use the

ADOBE PREMIERE PRO CS3User Guide2276 Continue dragging the Pen tool from different locations to create additional points.• To close the path, positio

ADOBE PREMIERE PRO CS3User Guide228Change the curve of a segment1 Select the path you want to modify.2 Select the Pen tool and drag a segment to cha

ADOBE PREMIERE PRO CS3User Guide229Place a logo in a text box1 Using a type tool, click where you want to insert the logo.2 Choose Title > Logo

ADOBE PREMIERE PRO CS3User Guide2302 In the Title Actions panel, click the button for the type of centering you want.Note: You can center objects usi

ADOBE PREMIERE PRO CS3User Guide231• Use the arrow keys to nudge the object in 1-pixel increments, or press Shift+arrow key to nudge the object in 5-p

ADOBE PREMIERE PRO CS3User Guide232Adding fills, strokes, and shadows in titlesAbout object propertiesYou can apply custom properties to each object o

ADOBE PREMIERE PRO CS3User Guide233The Color option specifies the beginning and ending gradient colors, which are displayed, respectively, in the left

ADOBE PREMIERE PRO CS3User Guide18Save a custom workspaceAs you customize a workspace, the application tracks your changes, storing the most recent la

ADOBE PREMIERE PRO CS3User Guide234Rotate With Object Rotates the texture in sync with the object.Scaling Object X, Scaling Object Y Specifies how t

ADOBE PREMIERE PRO CS3User Guide2352 In the Properties section of the Title Properties panel, expand the Strokes category.3 Click Add next to either

ADOBE PREMIERE PRO CS3User Guide236Selecting Delete Stroke from Title Properties panel menuCreate a drop shadowAdd drop shadows to any object you crea

ADOBE PREMIERE PRO CS3User Guide237Title Styles panelModify the style swatch displayThe Title Styles panel displays the default style library as well

ADOBE PREMIERE PRO CS3User Guide238• To duplicate a style, select it, and choose Duplicate Style from the Title Styles menu. A duplicate of the select

ADOBE PREMIERE PRO CS3User Guide239See also “Enter text in titles” on page 220“Create tab stops in titles” on page 223Create a rolling or crawling tit

240Chapter 11: Applying EffectsUsing the Effects panel and Effect Controls panel, you can exercise great control over video and audio effects.Working

ADOBE PREMIERE PRO CS3User Guide241About Fixed effectsEvery clip you add to the Timeline panel has Fixed effects preapplied, or built in. Fixed effect

ADOBE PREMIERE PRO CS3User Guide242Audio effects can be applied to either clips or to tracks. To apply track-based effects, use the Audio Mixer. If yo

ADOBE PREMIERE PRO CS3User Guide243About high bit-depth effectsAdobe Premiere Pro includes a number of video effects and transitions that support high

ADOBE PREMIERE PRO CS3User Guide19ToolboxA. Selection tool B. Track Selection tool C. Ripple Edit tool D. Rolling Edit tool E. Rate Stretch tool

ADOBE PREMIERE PRO CS3User Guide244Effects panelA. Effects bins B. Custom bin C. Audio effect D. Audio transition E. Video effect F. Video transi

ADOBE PREMIERE PRO CS3User Guide245• Expand the Audio Effects bin to locate the desired audio effect.• Type the name of the effect you want in the Con

ADOBE PREMIERE PRO CS3User Guide246Adjusting effectsAbout the Effect Controls panelThe Effect Controls panel lists all the effects that are applied to

ADOBE PREMIERE PRO CS3User Guide247Effect Controls panelA. Reset Effect button B. Show/Hide Effect parameters triangle C. Toggle The Effect On Or Of

ADOBE PREMIERE PRO CS3User Guide248View the Effect Controls panel❖ Choose Window > Effect Controls, or click the Effect Controls tab to view the E

ADOBE PREMIERE PRO CS3User Guide249• To set a color value using an Eyedropper tool, click the desired color anywhere on the computer screen. By defaul

ADOBE PREMIERE PRO CS3User Guide250To view the properties of an effect preset, select the preset in the Effects panel, and choose Preset Properties fr

ADOBE PREMIERE PRO CS3User Guide251You create and store custom and preset bins in the Effects panel. New preset bins reside inside the root Presets bi

ADOBE PREMIERE PRO CS3User Guide252Program monitorA. Anchor point B. Handle Standard effects that allow direct manipulation of clips in the Program

ADOBE PREMIERE PRO CS3User Guide253The handles and anchor point appear in the Program Monitor.3 In the Program Monitor, do any of the following:• To

ADOBE PREMIERE PRO CS3User Guide20Clip details in the Info panelThe Info panel displays information about a selected item. For clips, the Info panel d

ADOBE PREMIERE PRO CS3User Guide254To quickly apply Motion effect changes to a sequence clip, you can click the image in the Program Monitor and begin

ADOBE PREMIERE PRO CS3User Guide2555 In the Program Monitor, change the keyframe value by positioning the pointer near any of the clip’s eight square

ADOBE PREMIERE PRO CS3User Guide256Move a clip along a curveYou can move a clip along a curve using Bezier handles in the Program Monitor.1 Select a

ADOBE PREMIERE PRO CS3User Guide257The anchor point of a clip in the Program Monitor3 Select the Effect Controls tab, and, if necessary, click the tr

ADOBE PREMIERE PRO CS3User Guide258Eliminate flickerThin lines and sharp edges in images sometimes flicker when shown on interlaced displays, such as

ADOBE PREMIERE PRO CS3User Guide259Correcting exposure: Overexposed image with the waveform in the upper limits of the IRE scale (left) and corrected

ADOBE PREMIERE PRO CS3User Guide260YCbCr Parade Displays waveforms representing levels of the luminance and color difference channels in the digital

ADOBE PREMIERE PRO CS3User Guide2618 Do any of the following:• To adjust color balance and saturation using color wheels, adjust the Hue Balance and

ADOBE PREMIERE PRO CS3User Guide262The Gray Balance control adjusts the sampled area to become a neutral gray and the Black Balance control adjusts th

ADOBE PREMIERE PRO CS3User Guide263When making adjustments with the color wheel and Saturation control, it’s useful to open a Reference Monitor to vie

21Chapter 3: ProjectsA project stores information about sequences and assets, such as settings for capture, transitions, and audio mixing. Also, the p

ADOBE PREMIERE PRO CS3User Guide264Adjust color balance and saturationAlthough the following procedure uses the color wheel adjustments. The same adju

ADOBE PREMIERE PRO CS3User Guide265Adjusting the Balance Gain to fine-tune the Balance Magnitude setting.Note: The Three-Way Color Corrector effect le

ADOBE PREMIERE PRO CS3User Guide2666 Do one of the following to make curve adjustments:• To adjust the luminance, click to add a point on the Luma or

ADOBE PREMIERE PRO CS3User Guide2675 (Optional) Do any of the following to set preview options: • To view only the luminance values in a clip, choose

ADOBE PREMIERE PRO CS3User Guide268Black Input Level slider Maps the input black level to the setting of the Black Output slider. By default, the Out

ADOBE PREMIERE PRO CS3User Guide2692 Select the component you want to use to display the color spectrum: H Displays all hues in the color slider. Se

ADOBE PREMIERE PRO CS3User Guide270Define the tonal ranges in a clipThe Luma Corrector, RGB Color Corrector, and Three-Way Color Corrector effects let

ADOBE PREMIERE PRO CS3User Guide271Specify a color or range of colors to adjustThe Secondary Color Correction property specifies the color range to be

ADOBE PREMIERE PRO CS3User Guide272Choosing Mask from Output menu to display selected areas (white) and protected areas (black).7 Use the following c

ADOBE PREMIERE PRO CS3User Guide273If you need more control than the Color Match effect offers, use the Secondary Color Correction controls in the RGB

ADOBE PREMIERE PRO CS3User Guide22The project settings must be correct when you create the project file. Once a project is created, some project setti

ADOBE PREMIERE PRO CS3User Guide2747 Broaden or reduce the range of the color you’re replacing by dragging the Similarity slider.8 Select the Solid

ADOBE PREMIERE PRO CS3User Guide2754 (Optional) Drag the slider, scrub the underlined text, or type a value for the channel’s constant value (Red-Con

ADOBE PREMIERE PRO CS3User Guide276If the clip is already selected in the Timeline panel, you can drag the Convolution Kernel to the Video Effects sec

ADOBE PREMIERE PRO CS3User Guide2774 Choose a light type from the pop-up menu to specify the light source:None Turns off a light.Directional Shines

ADOBE PREMIERE PRO CS3User Guide278Exposure Increases (positive values) or decreases (negative values) the light’s brightness. A value of 0 is the de

ADOBE PREMIERE PRO CS3User Guide279View a scopeYou can view a vectorscope, YC waveform, YCbCr Parade, and an RGB Parade scope either individually or g

ADOBE PREMIERE PRO CS3User Guide280YC WaveformThe YC Waveform displays a graph showing the signal intensity in the video clip. The horizontal axis of

ADOBE PREMIERE PRO CS3User Guide281Note: CbCr are the color difference channels in a digital video signal. Cb is blue minus luma and Cr is red minus l

282Chapter 12: AnimationUsing keyframes you can change, or animate, the parameters of most effects over time.Keyframing effectsAbout animating effects

ADOBE PREMIERE PRO CS3User Guide283• Like the Timeline panel, the Effect Controls panel also displays keyframes graphically. Once keyframing is activa

ADOBE PREMIERE PRO CS3User Guide23Offline Replaces a missing file with an offline file, a placeholder that preserves all references to the missing f

ADOBE PREMIERE PRO CS3User Guide2844 (Optional) If you want to view the Value and Velocity graphs of an effect property’s settings, click the triangl

ADOBE PREMIERE PRO CS3User Guide285Keyframe tool tipA. Timecode B. Property value 1 (Optional) If the track is collapsed, click the triangle to the

ADOBE PREMIERE PRO CS3User Guide2866 (Optional) If you chose Show Keyframes, Show Clip Keyframes, or Show Track Keyframes in steps 2 and 3, click the

ADOBE PREMIERE PRO CS3User Guide2874 In the Effect Controls panel, click the triangle next to the effect property you want to animate. 5 Click the T

ADOBE PREMIERE PRO CS3User Guide288• To select multiple keyframes by dragging a selection, use the Pen tool to drag a marquee around the keyframes to

ADOBE PREMIERE PRO CS3User Guide289Delete keyframesIf you no longer need a keyframe, you can easily delete it from an effect property in either the Ef

ADOBE PREMIERE PRO CS3User Guide290Effect property’s value and velocity graphsA. Keyframe marker B. Level graph indicating unchanged value C. Rising

ADOBE PREMIERE PRO CS3User Guide2916 Do any combination of the following:• Drag a keyframe or segment up or down to change the value. As you drag, a

ADOBE PREMIERE PRO CS3User Guide292Moving and copying keyframesMove keyframesYou can move any keyframe to a different point in time. When you move key

ADOBE PREMIERE PRO CS3User Guide293Copy and paste keyframes in the Timeline panelWhen you paste keyframes into the Timeline panel, the earliest keyfra

iiiContentsChapter 1: Getting startedInstallation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ADOBE PREMIERE PRO CS3User Guide24See also “Preview on a television monitor” on page 143Create a custom presetTo customize most project settings, you

ADOBE PREMIERE PRO CS3User Guide294The two most common types of interpolation are linear interpolation and Bezier interpolation.Linear interpolation

ADOBE PREMIERE PRO CS3User Guide295Keyframe interpolation methodsA. Normal In/Out B. Bezier/Continuous Bezier/Ease In/Ease Out C. Auto Bezier D. Ho

ADOBE PREMIERE PRO CS3User Guide296Fine-tune the speed of an effectIn the Effect Controls panel, you can use the Velocity graph to adjust motion or th

297Chapter 13: Effect referenceYou can correct, improve, and otherwise modify your assets with any of the dozens of effects provided in Adobe Premiere

ADOBE PREMIERE PRO CS3User Guide298Crop Directional Blur Edge Feather EmbossExtract Fast Blur Find Edges Gaussian BlurOriginal image Horizontal Flip I

ADOBE PREMIERE PRO CS3User Guide299Adjust effectsAuto Color, Auto Contrast, and Auto Levels effectsThe Auto Color, Auto Contrast, and Auto Levels effe

ADOBE PREMIERE PRO CS3User Guide300Convolution Kernel pixel grid, showing the position of each control in the matrixSee also “Adjust edges, blurs and

ADOBE PREMIERE PRO CS3User Guide301Posterize effectThe Posterize effect lets you specify the number of tonal levels (or brightness values) for each ch

ADOBE PREMIERE PRO CS3User Guide302Color Correction The amount of color correction that the effect applies to the adjusted shadows and highlights. Fo

ADOBE PREMIERE PRO CS3User Guide303Channel Blur effectThe Channel Blur effect blurs a clip’s red, green, blue, or alpha channels individually. You can

ADOBE PREMIERE PRO CS3User Guide25of whether you shot progressive scan footage. (See “Interlaced video, noninterlaced video, and progressive scanning”

ADOBE PREMIERE PRO CS3User Guide304Fast Blur effectFast Blur is a close approximation of Gaussian Blur, but Fast Blur blurs large areas more quickly.

ADOBE PREMIERE PRO CS3User Guide305Channel effectsArithmetic effectThe Arithmetic effect performs various simple mathematical operations on an image’s

ADOBE PREMIERE PRO CS3User Guide306Calculations effectThe Calculations effect combines the channels of one clip with the channels of another clip. Ori

ADOBE PREMIERE PRO CS3User Guide307set this value to 100%, the effect has no visible result on the clip; if you set this value to 0%, the original ima

ADOBE PREMIERE PRO CS3User Guide308Stretch Matte To Fit Scales the selected clip to match the size of the current clip. If Stretch Matte to Fit is de

ADOBE PREMIERE PRO CS3User Guide309• Reduce Saturation Moves the pixel’s color toward a gray of similar brightness, making the pixel less colorful. F

ADOBE PREMIERE PRO CS3User Guide310To animate a color change, set keyframes for the To color. Change Which channels are affected.Change By How to ch

ADOBE PREMIERE PRO CS3User Guide311Color Balance effectThe Color Balance effect changes the amount of red, green, and blue in the shadows, midtones, a

ADOBE PREMIERE PRO CS3User Guide312Adjustments to the Hue Balance And Angle can be viewed in the vectorscope. Hue Angle Controls the hue rotation. Th

ADOBE PREMIERE PRO CS3User Guide313Leave Color effectThe Leave Color effect removes all colors from a clip except those similar to the Color To Leave.

ADOBE PREMIERE PRO CS3User Guide26• Feet + Frames 35mm Reports time in feet and frames, assuming the frame rate of 35mm film: 16 frames per foot. Use

ADOBE PREMIERE PRO CS3User Guide314Gamma Adjusts the image’s midtone values without affecting black and white levels. This control causes changes in

ADOBE PREMIERE PRO CS3User Guide315Secondary Color Correction Specifies the color range to be corrected by the effect. You can define the color by hu

ADOBE PREMIERE PRO CS3User Guide316Tonal Range Specifies whether the color correction is applied to the entire image (Master), the highlights only, m

ADOBE PREMIERE PRO CS3User Guide317RGB Curves effect(High bit-depth) The RGB Curves effect adjusts a clip’s color using curve adjustments for each col

ADOBE PREMIERE PRO CS3User Guide318Three-Way Color Corrector effect(High bit-depth) The Three-Way Color Corrector effect lets you make subtle correcti

ADOBE PREMIERE PRO CS3User Guide319Highlights/Midtones/Shadows Hue Angle Controls the hue rotation in the highlights, midtones, or shadows. The defau

ADOBE PREMIERE PRO CS3User Guide320Secondary Color Correction Specifies the color range to be corrected by the effect. You can define the color by hu

ADOBE PREMIERE PRO CS3User Guide321Chroma Max Specifies the maximum saturation for the colors in an image.Signal Min Specifies the minimum video sig

ADOBE PREMIERE PRO CS3User Guide322Original image (left), corner moved (center), and final image (right)Lens Distortion effect (Windows only) The Lens

ADOBE PREMIERE PRO CS3User Guide323Size The radius of the magnified area, in pixels.Feather The amount of edge feather, in pixels.Opacity The opaci

ADOBE PREMIERE PRO CS3User Guide27changed. The Uncompressed 10-bit (4:2:2 YUV) and Uncompressed 8-bit (4:2:2 YUV) file formats match the speci-ficatio

ADOBE PREMIERE PRO CS3User Guide324Note: In Adobe After Effects, the Transform effect includes the Shutter Angle control and Use Composition’s Shutter

ADOBE PREMIERE PRO CS3User Guide325Resize Layer Enables the distorted image to expand past the clip’s bounding box.Twirl effectThe Twirl effect disto

ADOBE PREMIERE PRO CS3User Guide326See also “Ripple (Circular) effect (Windows only)” on page 326Refraction effect (Windows only) Use this effect to

ADOBE PREMIERE PRO CS3User Guide327Cell Pattern effectThe Cell Pattern effect generates cellular patterns based on cellular noise. Use it to create st

ADOBE PREMIERE PRO CS3User Guide328Evolution Options Provide controls that render the effect for one short cycle and then loop it for the duration of

ADOBE PREMIERE PRO CS3User Guide329Circle effectThe Circle effect creates either a customizable solid circle or ring.Edge None creates a solid disk.

ADOBE PREMIERE PRO CS3User Guide330• All Premultiplied Samples the average of all RGB color values, premultiplied with the alpha channel.• Including

ADOBE PREMIERE PRO CS3User Guide331Flare Brightness Specifies the percentage of brightness. Values can range from 10% to 300%.Lens Type Selects the

ADOBE PREMIERE PRO CS3User Guide332Bright colors often become much lighter, sometimes becoming white, depending on the brightness of colors beneath.Pu

ADOBE PREMIERE PRO CS3User Guide333• Feather Creates a feathered edge for the filled area. Feather Softness values create a more gradually disappear

ADOBE PREMIERE PRO CS3User Guide286 From the File Format drop-down menu, select Uncompressed 10-Bit (4:2:2 YUV), or Uncompressed 8-Bit (4:2:2 YUV).7

ADOBE PREMIERE PRO CS3User Guide334Paint Time Properties and Brush Time Properties Specifies whether paint properties and brush properties are applie

ADOBE PREMIERE PRO CS3User Guide335Color Replace effect (Windows only) The Color Replace effect replaces all occurrences of a selected color with a ne

ADOBE PREMIERE PRO CS3User Guide336Chroma Key effectA. Original image B. Blue color keyed out C. Image on second track D. Final composite image Se

ADOBE PREMIERE PRO CS3User Guide337See also “Replace a static background with Difference Matte” on page 374Difference Matte online training video Eig

ADOBE PREMIERE PRO CS3User Guide338See also “About Luma Key” on page 372Non Red Key effectThe Non Red Key effect makes the clip’s nonred (blue or gre

ADOBE PREMIERE PRO CS3User Guide339Original image with scratches (left), enlarged view of scratches (center), and scratches removed with loss of clari

ADOBE PREMIERE PRO CS3User Guide340To produce flashing noise, animate the Random Seed control. To create smoothly animated noise, animate the Noise Ph

ADOBE PREMIERE PRO CS3User Guide341Perspective effectsBasic 3D effect (Windows only) The Basic 3D effect manipulates a clip in 3D space. You can rotat

ADOBE PREMIERE PRO CS3User Guide342When you add a drop shadow to a clip, a soft-edged outline of the clip’s alpha channel appears behind it, as if a s

ADOBE PREMIERE PRO CS3User Guide343Render The type of shadow:• Regular Creates a shadow based on the Shadow Color and Opacity values, regardless of

ADOBE PREMIERE PRO CS3User Guide29A 4:3 frame aspect ratio (left), and wider 16:9 frame aspect ratio (right)When you import clips shot in one frame as

ADOBE PREMIERE PRO CS3User Guide344Original image (left), with effect applied (center), and with Brush Size and Length adjusted (right)Stroke Angle T

ADOBE PREMIERE PRO CS3User Guide345Find Edges effectThe Find Edges effect identifies the areas of the image that have significant transitions and emph

ADOBE PREMIERE PRO CS3User Guide346Evolution Animating this setting results in changes of the roughness over time.Note: Although the Evolution value

ADOBE PREMIERE PRO CS3User Guide347Texturize effect (Windows only) The Texturize effect gives a clip the appearance of having the texture of another c

ADOBE PREMIERE PRO CS3User Guide348• Screen Emulates combining the echoes by sandwiching them optically. This setting is similar to Add, but it won’t

ADOBE PREMIERE PRO CS3User Guide349Tuning controls for Pixel Motion interpolationVector Details Determines how many motion vectors are used during in

ADOBE PREMIERE PRO CS3User Guide350Transform effectsCamera View effect (Windows only) The Camera View effect distorts a clip by simulating a camera vi

ADOBE PREMIERE PRO CS3User Guide351Roll effect (Windows only) The Roll effect rolls a clip to the left or to the right, or up or down, as if the image

ADOBE PREMIERE PRO CS3User Guide352You can create gradient layers in many ways, such as using the Ramp effect or creating them in Photoshop or Illus-t

ADOBE PREMIERE PRO CS3User Guide353Original image (left), and with effect applied (center and right)Utility effectsCineon Converter effectThe Cineon C

ADOBE PREMIERE PRO CS3User Guide30Pixel aspect ratioPixel aspect ratio describes the ratio of width to height of a single pixel in a frame. Pixel aspe

ADOBE PREMIERE PRO CS3User Guide354Video effectsTimecode effectThe Timecode effect overlays a timecode display on your video to make pinpointing scene

ADOBE PREMIERE PRO CS3User Guide355Bandpass effectThe Bandpass effect removes frequencies that occur outside the specified range, or band of frequenci

ADOBE PREMIERE PRO CS3User Guide356• Feedback Adds a percentage of processed voices back into the effect input. Feedback can give a waveform an extra

ADOBE PREMIERE PRO CS3User Guide357Male and Female Specifies the gender of the narrator or vocalist. This option helps the effect to adapt to the dif

ADOBE PREMIERE PRO CS3User Guide358Dynamics effectThe Dynamics effect provides a set of controls that can be combined or used independently to adjust

ADOBE PREMIERE PRO CS3User Guide359• Release Specifies the time (between 10 and 500 milliseconds) required for the gain to return to the normal level

ADOBE PREMIERE PRO CS3User Guide360Delay Sets the point in milliseconds at which flanging starts behind the original signal. The flanging effect occu

ADOBE PREMIERE PRO CS3User Guide361Feedback 1-4 Specifies the percentage of the delayed signal to be added back into the delay to create multiple dec

ADOBE PREMIERE PRO CS3User Guide362PitchShifter effectThe PitchShifter effect adjusts the pitch of the incoming signal. Use this effect to deepen high

ADOBE PREMIERE PRO CS3User Guide363Treble effectThe Treble effects lets you increase or decrease higher frequencies (4000 Hz and above). The Boost con

ADOBE PREMIERE PRO CS3User Guide31About square-pixel footageMany graphics and animation programs generate square-pixel assets meant for display on squ

364Chapter 14: CompositingCompositing is the process of creating a compound image by superimposing one or more clips on another. A number of compositi

ADOBE PREMIERE PRO CS3User Guide365• If a clip’s source file doesn’t contain an alpha channel, you must manually apply transparency to individual clip

ADOBE PREMIERE PRO CS3User Guide3662 In the Effect Controls panel, click the triangle next to the Opacity effect to expand its settings.3 (Optional)

ADOBE PREMIERE PRO CS3User Guide367Transparency (masks, alpha channels)About transparencyBefore you can create a composite from multiple images, parts

ADOBE PREMIERE PRO CS3User Guide368About straight and premultiplied channelsAlpha channels store transparency information in files in one of two ways:

ADOBE PREMIERE PRO CS3User Guide369Dragging a key from the Effects panel to a clip in the Timeline panel3 In the Video Effects section of the Effect

ADOBE PREMIERE PRO CS3User Guide370Make a color transparent with Color KeyThe Color Key effect keys out all image pixels that are similar to a specifi

ADOBE PREMIERE PRO CS3User Guide371See also “Chroma Key effect” on page 335About RGB Difference KeyThe RGB Difference Key is a simpler version of the

ADOBE PREMIERE PRO CS3User Guide372Subject is photographed against blue background (left). Blue Screen Key effect is applied (right) to superimpose su

ADOBE PREMIERE PRO CS3User Guide373Cutoff Sets the opacity of nontransparent areas specified by the Threshold slider. Higher values increase trans-pa

ADOBE PREMIERE PRO CS3User Guide32When you capture or import NTSC footage with the ATSC frame size of 704x480, the D1 frame size of 720x486, or the DV

ADOBE PREMIERE PRO CS3User Guide3748 (Optional) If you’re animating the Image Matte Key over time, make sure that the current-time indicator is in th

ADOBE PREMIERE PRO CS3User Guide3757 Drag the Difference Matte effect onto the foreground video clip.8 In the Effect Controls panel, click the trian

ADOBE PREMIERE PRO CS3User Guide3764 In the Effects panel, click the triangle to expand the Video Effects bin and then click the triangle to expand t

ADOBE PREMIERE PRO CS3User Guide3772 In the Effects panel, click the triangle to expand the Video Effects bin and then click the triangle to expand t

ADOBE PREMIERE PRO CS3User Guide3784 (Optional) If you’re animating the Remove Matte effect over time, make sure that the current-time indicator is i

379Chapter 15: ExportingFrom making proofs for feedback from your collaborators to generating movies for the web, the Apple iPod, DVD, Blu-ray disc, o

ADOBE PREMIERE PRO CS3User Guide380Ways to exportAdobe Premiere Pro provides two ways to export a file. You can use one of the standard Export command

ADOBE PREMIERE PRO CS3User Guide381• Uncompressed Microsoft AVI (Windows only)• Windows Media Video (WMV) (Windows only)Audio-only formats• AIFF-C for

ADOBE PREMIERE PRO CS3User Guide382HD video formats are designated by their vertical resolution, scan mode, and frame or field rate (depending on the

ADOBE PREMIERE PRO CS3User Guide383About MPEGMPEG is the name of a family of file formats specified by the ISO/IEC Moving Picture Experts Group. MPEG

ADOBE PREMIERE PRO CS3User Guide33Special projectsAbout 24p footage and projectsFootage acquired from a camcorder or by film transfer, at roughly 24 n

ADOBE PREMIERE PRO CS3User Guide384Compression tipsWhen you compress video, remember the following recommendations:• Do not recompress video. Recompre

ADOBE PREMIERE PRO CS3User Guide385About compression keyframesCompression keyframes are different from the keyframes that you use to control track or

ADOBE PREMIERE PRO CS3User Guide386In Adobe Premiere Pro, use the File > Get Properties For command to analyze the data rate of files you export.

ADOBE PREMIERE PRO CS3User Guide387Note: You cannot export a movie file into an HDV format file. You can, however, use the Adobe Media Encoder to expo

ADOBE PREMIERE PRO CS3User Guide388Note: Exporting to P2 from stereo sequences, which are the default type used in the various P2 presets, will produc

ADOBE PREMIERE PRO CS3User Guide389Select Export Blank Markers to include markers that don’t have information in the fields. (This is useful if you wa

ADOBE PREMIERE PRO CS3User Guide390When you export still images from DV for use in square-pixel graphics or video, you can prevent distortion by setti

ADOBE PREMIERE PRO CS3User Guide391Export a series of still imagesYou can export a clip or sequence, as a sequence of still images, with each frame as

ADOBE PREMIERE PRO CS3User Guide392When editing a filmstrip in Adobe Photoshop, use the following guidelines for best results:• After Effects and Adob

ADOBE PREMIERE PRO CS3User Guide393To view the PDF, a reviewer must have Adobe Acrobat Standard, Acrobat Professional, or Adobe Reader (version 7.0.5

ivChapter 7: Editing: Beyond the basicsUsing markers . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ADOBE PREMIERE PRO CS3User Guide34When you apply 3:2 pulldown to footage, one frame of the film (A) is separated into two or three interlaced video fi

ADOBE PREMIERE PRO CS3User Guide3946 Click OK to export a PDF file for Clip Notes comments.Adobe Clip Notes PDF file as it appears in Adobe ReaderSe

ADOBE PREMIERE PRO CS3User Guide395Clip Notes prefixes your comment with the current reviewer name and timecode automatically. You can add your own co

ADOBE PREMIERE PRO CS3User Guide396Types of DVDs and Blu-ray discsUsing Adobe Premiere Pro and Encore, you can create two main types of DVDs or Blu-ra

ADOBE PREMIERE PRO CS3User Guide3977 Highlight the numeral “1” next to Copies and enter a value for the number of copies to be burned.8 Do one of th

ADOBE PREMIERE PRO CS3User Guide398The Rendering dialog box appears while the movie is transcoded to MPEG-2 format. Then, Encore starts with the MPEG-

ADOBE PREMIERE PRO CS3User Guide399• If necessary, lower the color depth. This is particularly effective if the source video contains less than the fu

ADOBE PREMIERE PRO CS3User Guide400Exporting projects for online editing or archivingAbout exporting projects for online editing or archivingYou can e

ADOBE PREMIERE PRO CS3User Guide401• If a clip has a transition at both its In and Out points, the clip should be at least the same length as both tra

ADOBE PREMIERE PRO CS3User Guide402Current-time indicator position In the exported file, the current-time indicator retains its original position if

ADOBE PREMIERE PRO CS3User Guide403Collect Files and Copy to New Location to copy and consolidate the footage you used in the project3 Select any of

ADOBE PREMIERE PRO CS3User Guide35Disable 24p pulldown to simulate film-video transferBy default, Adobe Premiere Pro uses a 24p pulldown scheme to pla

ADOBE PREMIERE PRO CS3User Guide404Note: If a folder already exists with a name identical to the project you are trimming, Project Manager appends a n

ADOBE PREMIERE PRO CS3User Guide405To give your recording deck additional time before your video sequence starts and after it ends, add black before a

ADOBE PREMIERE PRO CS3User Guide4064 In the Options section, select any of the following options:Abort After Dropped Frames Ends export automaticall

ADOBE PREMIERE PRO CS3User Guide407For the production phase, you’ll need to consider the acquisition format that best suits your needs. During post-pr

ADOBE PREMIERE PRO CS3User Guide408Export a file for web deliveryYou can export a sequence or portion of a sequence into a file in any of the major fo

ADOBE PREMIERE PRO CS3User Guide409Alternatively, because Flash can be used to create animations, you can start a movie as a Flash project, export it

ADOBE PREMIERE PRO CS3User Guide410Adobe Premiere Pro makes several Adobe Flash Video presets available through Adobe Media Encoder. These include pre

ADOBE PREMIERE PRO CS3User Guide411Alternates and Audiences options for encodingIn the Export Settings dialog box, specifying a streaming media codec

ADOBE PREMIERE PRO CS3User Guide412QuickTime Alternates options1 In the Adobe Media Encoder Export Settings dialog box, specify a QuickTime for Forma

ADOBE PREMIERE PRO CS3User Guide4132 In the Audiences panel, specify an option for Output:Compressed Specifies that the codec you select in the Vide

ADOBE PREMIERE PRO CS3User Guide364 (Optional) Select the Custom Settings tab, and customize the preset as needed.5 (Optional) For DVCPRO50 P2 or DV

ADOBE PREMIERE PRO CS3User Guide414If Open In Device Central was selected, a preview of the exported movie will appear in the Device Emulator in Adobe

ADOBE PREMIERE PRO CS3User Guide4158 Click OK.9 Name and save the file.The file is rendered.10 A temporary file is displayed in the Device Central

ADOBE PREMIERE PRO CS3User Guide416• Work at an aspect ratio consistent with mobile output. New project presets (available only on Windows) make this

ADOBE PREMIERE PRO CS3User Guide417Export Settings dialog boxA. Source tab B. Output tab C. Source tab menu D. Image Area E. Export Settings F. V

ADOBE PREMIERE PRO CS3User Guide418Export settings presetsWhen exporting with the Adobe Media Encoder, choosing a format automatically makes available

ADOBE PREMIERE PRO CS3User Guide419The preset is saved as a .vpr file.Delete custom presets1 In the Export Settings dialog box, choose the preset you

ADOBE PREMIERE PRO CS3User Guide420See also “Export a movie file for further editing” on page 386“Export an audio file for further editing” on page 38

ADOBE PREMIERE PRO CS3User Guide421that you prepared and saved previously. You can load color palettes in the ACO (Photoshop color swatch), ACT (Photo

ADOBE PREMIERE PRO CS3User Guide422Fields Choose an option if required for your final medium. Lower Field First is the default. No Fields is the equi

ADOBE PREMIERE PRO CS3User Guide423the audio breaks up when playing, the interleave value may be causing the computer to process audio more frequently

ADOBE PREMIERE PRO CS3User Guide37Start a mobile device projectYou can edit video for delivery to mobile phones, portable media players, and other por

ADOBE PREMIERE PRO CS3User Guide424Filter options for encoding Noise, grain, and similar artifacts can interfere with the efficient compression of ima

ADOBE PREMIERE PRO CS3User Guide425Encoding Passes Specifies the number of times the encoder will analyze the clip before encoding. Multiple passes i

ADOBE PREMIERE PRO CS3User Guide426Adobe Media Encoder MPEG multiplexer preset optionsMultiplexer preset options control how After Effects and Adobe P

427Chapter 16: Keyboard shortcutsMany commands and buttons have keyboard shortcut equivalents, so you can complete tasks with minimal use of the mouse

ADOBE PREMIERE PRO CS3User Guide4285 Click in the item’s shortcut field to select it.6 Type the shortcut you want to use for the item. If the shortc

ADOBE PREMIERE PRO CS3User Guide429Switch to a different set of shortcuts1 Choose Edit > Keyboard Customization.2 Choose the set of shortcuts yo

ADOBE PREMIERE PRO CS3User Guide430Keys for the Capture panelYou can find most keyboard shortcuts in menu commands and tool tips. Additional shortcuts

ADOBE PREMIERE PRO CS3User Guide431Keys for the Project panelYou can find most keyboard shortcuts in menu commands and tool tips. Additional shortcuts

ADOBE PREMIERE PRO CS3User Guide432Clear In point D DClear selection Backspace DeleteClear Out Point F FEdit audio or video In point or Out point inde

ADOBE PREMIERE PRO CS3User Guide433Play in reverse slowly (8 fps) Hold down K + J Hold down K + JReveal nested sequence Shift + T Shift + TRipple dele

ADOBE PREMIERE PRO CS3User Guide38Adobe OnLocation2. Start or open a projectOpen an existing project, or start a new one from the Adobe Premiere Pro

ADOBE PREMIERE PRO CS3User Guide434Keys for the TitlerResult Windows Shortcut Mac OS ShortcutArc tool A ADecrease kerning by 5 units Alt + Shift + Lef

ADOBE PREMIERE PRO CS3User Guide435Keys for the Trim panelYou can find most keyboard shortcuts in menu commands and tool tips. Additional shortcuts ap

436IndexNumerics24p footageplayback settings 34projects 33timecode 353:2 pulldown 333GPP cell phones 4234-Color Gradient effect 3265.1 surround

437aspect ratioabout 28frame 28pixel 24, 30Audiences encoding settings 411audiobalancing 208, 291bit depth 422clipping 185compressed 78cross-f

438brightnessadjusting 308adjusting with Convolution Kernel effect 275changing in user interface 18Brightness & Contrast effect 308Broadcast C

439commentsin markers 148compile settingsfor AVI export 388for GIF export 390compositingabout 364, 367compositionsoffline, with Adobe Dynamic Link

440Edit Original command 162edit points, adding compression keyframes at 422editingcancelling in Trim Monitor 114clips in original application 162d

441Filmstrip (FLM) formatguidelines for editing 392Find Edges effect 345Fit To Fill option. See four-point editing 121Fixed effects 241Flanger eff

442JJ-cut edit 110, 152JKL keys 98jog disk 111KKen Burns effect 256kerning 222keyboard shortcutsabout 427customizing 427deleting 428finding 4

443menu-based DVDs 396menuscontext 20displaying 20metadataabout 383in MPEG-2 files 383Meter Input(s) Only command 185Mirror effect 323missing f

ADOBE PREMIERE PRO CS3User Guide39Project panel and Capture panelYou can also import a variety of digital media, including video, audio, and still ima

444Paste commandand current-time indicator 141and keyframes 293Paste Insert command 141paste insert edit 140paste overlay edit 140path textabout

445renamingProject panel columns 85tracks 104render files. See preview filesRender Preview command 141renderingSee also previewingabout 141disabli

446clearing clips 94display mode 96In and Out points 106opening clips 93playback 96synchronizing with Timeline panel 98time controls 94source tr

447timecodeabout 70display formats 25entering 72, 102Offset setting 59setting manually 72using in Trim Monitor 111Timecode effect 354Timeline p

448TV, creating and previewing titles for 218tweening. See keyframesTwirl effect 325Uuncompressed high-definition video 382uncompressed video playba

449YCbCr Parade 96monitor 280YouTube video 408ZZoom In button 103Zoom tool 103April 1, 2008

ADOBE PREMIERE PRO CS3User Guide40Source Monitor, Program Monitor, and Timeline panelYou add clips to a sequence in the Timeline panel by dragging or

ADOBE PREMIERE PRO CS3User Guide41Titler6. Add transitions and effectsThe Effects panel includes an extensive list of transitions and effects you ca

ADOBE PREMIERE PRO CS3User Guide427. Mix audioFor track-based audio adjustments, the Audio Mixer faithfully emulates a full-featured audio mixing boa

ADOBE PREMIERE PRO CS3User Guide439. ExportDeliver your edited sequence in the medium of your choice: tape, DVD, Blu-ray Disc, or movie file. Using t

vChapter 12: AnimationKeyframing effects . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ADOBE PREMIERE PRO CS3User Guide442. Export to Encore or to an MPEG-2 file.The File > Export > Export To Encore command brings your sequence,

ADOBE PREMIERE PRO CS3User Guide45Preview files Preview files made on one platform are not available on the other. When a project is opened on a diff

ADOBE PREMIERE PRO CS3User Guide46• Perform automated tasks, such as batch commands.• Manage photos: Generate a web gallery from a group of images, im

47Chapter 4: Setting up, and bringing in assetsWith your hardware hooked up, you can bring assets into a project by capturing them from digital source

ADOBE PREMIERE PRO CS3User Guide485 Start Adobe Premiere Pro, and, on the Welcome screen, click New Project.6 In the Load Preset panel of the New Pr

ADOBE PREMIERE PRO CS3User Guide493 Do one of the following: • Connect the serial device control port (RS-422 or RS-232) on the camcorder or VTR with

ADOBE PREMIERE PRO CS3User Guide50To convert the analog source signal to a digital one the computer can use, this setup requires an analog/digital (A/

ADOBE PREMIERE PRO CS3User Guide51Video Previews Files created when you use the Sequence > Render Work Area command, export to a movie file, or e

ADOBE PREMIERE PRO CS3User Guide52Optimize rendering for available memoryBy default, Adobe Premiere Pro renders video using the maximum number of avai

ADOBE PREMIERE PRO CS3User Guide53Capturing and digitizingSystem requirements for capturingTo capture digital video footage, your editing system needs

viAdobe Media Encoder basics . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .

ADOBE PREMIERE PRO CS3User Guide54“Export a movie file for further editing” on page 386“Export a sequence to tape with device control” on page 405Cap

ADOBE PREMIERE PRO CS3User Guide55About capture card settingsSome of the capture settings you see in Adobe Premiere Pro may be from the plug-in softwa

ADOBE PREMIERE PRO CS3User Guide56• If the digital device offers device control, capture or log footage using the Capture panel’s controls, as you wou

ADOBE PREMIERE PRO CS3User Guide57You can control certain source devices, such as camcorders and decks, directly from the Capture panel, provided your

ADOBE PREMIERE PRO CS3User Guide58The format of your hard disk greatly affects its ability to handle large files. FAT32 formatting limits each file to

ADOBE PREMIERE PRO CS3User Guide59Note: To avoid confusion, make sure that the tape name is unique. Some types of device control software may ask you

ADOBE PREMIERE PRO CS3User Guide60Device controls in the Capture panelYou can use the controls in the Capture panel to operate the device as you log c

ADOBE PREMIERE PRO CS3User Guide61Capture with device controlAfter a device and the project are set up properly, you can begin capturing clips using d

ADOBE PREMIERE PRO CS3User Guide62Note: If capturing HDV footage on Mac OS, you must preview on an external TV monitor or camcorder viewfinder while l

ADOBE PREMIERE PRO CS3User Guide63Adobe Premiere Pro CS3 will capture a separate file for each scene it detects (Windows), or it will capture a master

1Chapter 1: Getting startedIf you haven’t installed your new software, begin by reading some information on installation and other prelimi-naries. Bef

ADOBE PREMIERE PRO CS3User Guide64When you want to batch capture a set of logged (offline) clips, select them in the Project panel and choose File &g

ADOBE PREMIERE PRO CS3User Guide654 In the Setup area of the Logging pane, choose your media type from the Capture pop-up menu.5 If you want to capt

ADOBE PREMIERE PRO CS3User Guide66Tips for logging clips interactively• Set options on the Logging pane of the Capture panel. Adobe Premiere Pro uses

ADOBE PREMIERE PRO CS3User Guide67• To find out or change the capture settings for an offline file, select the clip in the Project panel, and choose C

ADOBE PREMIERE PRO CS3User Guide68To manage capture errors when the Capture Settings Error dialog box appears, do one of the following:• To fix the ca

ADOBE PREMIERE PRO CS3User Guide69Create an offline file1 In the Project panel, click the New Item button at the bottom of the panel and choose Off

ADOBE PREMIERE PRO CS3User Guide70TimecodeAbout timecodeMany camcorders and high-end video decks record timecode, which marks specific frames with uni

ADOBE PREMIERE PRO CS3User Guide715 Before you record video on a striped tape, play about 30 seconds of it from the beginning. Verify that the camcor

ADOBE PREMIERE PRO CS3User Guide72Set timecode manually for a clipAt times you may want to change the timecode from that recorded by Adobe Premiere Pr

ADOBE PREMIERE PRO CS3User Guide73View sequence timecode as a burn-in1 At the bottom of the Project panel, click the New Item icon . Select Transpar

ADOBE PREMIERE PRO CS3User Guide2Read MeThe installation disc contains the Read Me file for your software. (This file is also copied to the applicatio

ADOBE PREMIERE PRO CS3User Guide747 After recapturing is complete, save the project.Importing filesImport filesYou can import video, audio, and still

ADOBE PREMIERE PRO CS3User Guide75See also “About Adobe Bridge” on page 45File formats supported for importAdobe Premiere Pro can import a number of

ADOBE PREMIERE PRO CS3User Guide76Supported still-image and sequence file formatsAdobe Premiere Pro supports 8-bit per-channel (4 bytes per pixel) and

ADOBE PREMIERE PRO CS3User Guide77Importing digital audioYou can import digital audio clips stored as audio files or tracks in video files. Digital au

ADOBE PREMIERE PRO CS3User Guide78Using compressed audio formatsMusic stored in formats such as MP3 and WMA are compressed using a method that removes

ADOBE PREMIERE PRO CS3User Guide79• Save the file using the correct naming convention. For example, if you plan to import the file into Adobe Premiere

ADOBE PREMIERE PRO CS3User Guide80If you want to define the dimensions of the Illustrator art when it is rasterized, use Illustrator to set crop marks

ADOBE PREMIERE PRO CS3User Guide81• Use the pixel aspect ratio and frame size specified in the project settings in Adobe Premiere Pro. • Use the appro

ADOBE PREMIERE PRO CS3User Guide82See also “Copy between After Effects and Adobe Premiere Pro” on page 164“About Dynamic Link (Production Premium only

ADOBE PREMIERE PRO CS3User Guide834 Select one or more MXF files (for P2 or XDCAM HD), or MP4 files (for XDCAM EX). Do one of the following:• To impo

ADOBE PREMIERE PRO CS3User Guide3Most versions of in-product and LiveDocs Help let you search across the Help systems of multiple products. Topics may

84Chapter 5: Managing and viewing assetsAfter you import assets into a project, you can use Adobe Premiere Pro to organize them, view their details, a

ADOBE PREMIERE PRO CS3User Guide85• To hide or set the size of thumbnails, choose Thumbnails from the Project panel menu.• To remove empty space betwe

ADOBE PREMIERE PRO CS3User Guide86Note: In Adobe Premiere Pro, all durations in any panel include the frames specified by the In point and Out point.

ADOBE PREMIERE PRO CS3User Guide87Organizing assets with the Project panelAbout binsThe Project panel can include bins, which you can use to organize

ADOBE PREMIERE PRO CS3User Guide88• To show the contents of an enclosing (parent) bin when you’re viewing only the contents of a nested bin, click the

ADOBE PREMIERE PRO CS3User Guide89• To set default labels for a media type, choose Edit > Preferences > Label Defaults (Windows) or Premiere Pr

ADOBE PREMIERE PRO CS3User Guide90You can also use the Properties feature to alert you to the presence of any dropped frames in a clip you just captur

ADOBE PREMIERE PRO CS3User Guide91The next time you open the project, Adobe Premiere Pro asks you to locate the file.Remove assets from a projectYou c

ADOBE PREMIERE PRO CS3User Guide92Work with proxy filesAbout proxy files [F8488 Proxy Editing]Create proxy files from the Project panel [F8488 Proxy E

ADOBE PREMIERE PRO CS3User Guide93Source Monitor (left) and Program Monitor (right)Set display qualityYou can reduce the resolution of the Source or P