Adobe Premiere Pro CS4 Uživatelský manuál stáhnout pdf (Strana 38)

USING ADOBE PREMIERE PRO CS4

Workflows and system setup

Last updated 11/6/2011

Copy from Adobe Premiere Pro to After Effects

You can copy a video or audio asset from an Adobe Premiere Pro sequence and paste it into an After Effects

composition. After Effects converts assets to layers and copies the source footage items into its Project panel. If the

asset contains an effect that is also used by After Effects, After Effects converts the effect and all of its settings and

keyframes.

You can copy color mattes, stills, nested sequences, and offline files, too. After Effects converts color mattes into solid-

color layers and converts nested sequences into nested compositions. When you copy a Photoshop still image into

After Effects, After Effects retains the Photoshop layer information. You cannot paste Adobe Premiere Pro titles into

After Effects, but you can paste text with attributes from the Adobe Premiere Titler into After Effects.

1 Select an asset from the Adobe Premiere Pro Timeline panel.

2 Choose Edit > Copy.

3 In After Effects, open a composition in the Timeline panel.

4 With the Timeline panel active, choose Edit > Paste. The asset appears as the topmost layer in the Timeline panel.

Note: To paste the asset at the current-time indicator, place the current-time indicator and press Ctrl+Alt+V (Windows)

or Command+Option+V (Mac

OS).

Results of pasting into After Effects

When you paste an asset into an After Effects composition, keyframes, effects, and other properties in a copied asset

are converted as follows:

Masks and mattes Not converted

Stereo Mixer effect Channel Volume filter

Time Remap property Time Remapping effect

Time Stretch property Speed property Speed and time stretch have an inverse

relationship. For example, 200% stretch in

After Effects converts to 50% speed in

Adobe Premiere Pro.

Transform property values

and keyframes

Motion or Opacity values and

keyframes

The keyframe type—Bezier, Auto Bezier,

Continuous Bezier, or Hold—is retained.

Adobe Premiere Pro asset Converted to in After Effects Notes

Audio track Audio layers Audio tracks that are either 5.1 surround

or greater than 16-bit aren’t supported.

Mono and stereo audio tracks are

imported as one or two layers.

Bars and tone Not converted

Blending modes Converted

Clip marker Layer marker

Color mattes Solid-color layers

Crop filter Mask layer

Frame Hold Time Remap property

After Effects item Converted to in Adobe Premiere Pro Notes

1 2 ... 33 34 35 36 37 38 39 40 41 42 43 ... 490 491

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